Follow up on the previous essay on constructing a library in the home. This one delves into the thought processes for library organization. His personal library would be sorted by conservative politics, Catholicism, and culture. If and when I construct my own I predict it will be sorted in a similar fashion between historical, literature, and religious books. How would you organize your library?
Archives For literature
sempiternal – adj. Enduring forever; eternal. From Latin sempiternus, from semper always + aeternuseternal
roborative – adj. Who Strengthens; fortifying. From Latin roborare to consolidate
recriminatory – adj. To counter one accusation with another. From re- + Latin crīmināre, to accuse
obligingly – adv. Ready to do favors for others; accommodating; in accommodation
interminable – adj. Being or seeming to be without an end; endless. From Late Latin interminābilis
quittances – n. Release from debt or other obligation; a receipt or other document certifying this. From Old French quiter to free
commodious – adj. Spacious; roomy; Archaic Suitable; handy. From Latin commodus convenient
gimcrack – n. A cheap and showy object of little or no use; a gewgaw. adj. Cheap and tasteless; gaudy. From Middle English gibecrake, small ornament
epaulette – n. A shoulder ornament, especially a fringed strap worn on military uniforms. From Latin spatula shoulder blade
neume – n. any of various symbols representing from one to four notes, used in the notation of Gregorian chant. From Greek pneuma breath
Pretty crafty idea to construct a library in your own home. I too as a young boy set as a goal that once I own my home that a library be inside. Libraries are far much more than a shelf of books and I think the author does a good job of explaining why. I would imagine my library shelves to contain countless volumes of Roman and Medieval history. While e-books are certainly a useful innovation and allow me to carry what accounts to a full library on the go I fear it will never come close to replacing the ambiance of a quiet room in which knowledge lives.
- It is extra-literary.
- The pleasure of myth depends hardly at all on such usual narrative attractions as suspense and surprise.
- Human sympathy is at a minimum. We do not project ourselves strongly into the characters. We feel indeed that the pattern of their movements has a profound relevance to our own life, but we do not imaginatively transport ourselves into theirs.
- Myth is always in one sense of the word “fantastic.” It deals with the impossibles and preternaturals.
- The experience may be sad or joyful but it is always grave. Comic myth is impossible.
- The experience is not only grave but awe-inspiring. Its as if something of great moment had been communicated to us.